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Coming somewhere between Peter Ackroyd and Perfume, Doubting Thomas is an innovative and fascinating novel about the renowned Italian painter Caravaggio. The plot centres around the events of a May evening in Rome in 1606, when Caravaggio was challenged to a duel and killed a man. Who was this man Caravaggio? What happened on that fateful night? What was the cause of the fight that forced him to flee Rome? Different narrators, including a drunken architect, the painter's own brother, some ladies of the night, a town clerk and a close friend of Caravaggio all present their versions of the events that took place that night, shedding light on what happened and, as a result, on the painter's revolutionary art. Doubting Thomas is a book about ideas and about a period in time that witnessed the coming of enlightenment and dramatic changes in thinking. It is first and foremost a novel about human destiny, sensuality and purpose of mind; brutality and love, exploration and devotion. How far can a painter go? Where is the line between what is sacred and what is profane? How can a drunkard and a womaniser such as Caravaggio create art that speaks of fervent aesthetics and even religious devotion?
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Each summer a group of families holiday together in St. Ives, Cornwall, but in 1972 their lives are shattered and they never meet up again. In a lane in the village of Zennor a hotel porter is found fatally poisoned. Later that week the body of another man is washed ashore. Grant Morrison, then aged seventeen, has long been troubled by the two deaths and their aftermath and, decades later, decides that the time has come to uncover the truth.
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Henry III was the son and successor of Bad King John, reigning for 56 years from 1216 - the first child king in England for 200 years. England went on to prosper during his reign and his greatest monument is Westminster Abbey, which he made the seat of his government - indeed, Henry III was the first English King to call a parliament. Though often overlooked by historians, Henry III was a unique figure coming out of a chivalric yet Gothic era: a compulsive builder of daunting castles and epic sepulchres; a powerful, unyielding monarch who faced down the De Montfort rebellion and waged war with Wales and France - and, much more than his father, Henry was the king who really hammered out the terms of the Magna Carta with the barons. John Paul Davis, biographer of Robin Hood and Guy Fawkes for Peter Owen, brings all his forensic skills and insights to the grand story of the Gothic King in this, the only biography in print of one of our most remarkable monarchs.
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The picaresque story of 96-year-old Lily Bourbon, who marries her way from prostitute to Poet Laureate in the USSR and finds a new life in the U.S. Lily was a beautiful young prostitute recruited by the Bolsheviks to service the Communist elite. As a result of a fortuitous marriage to Andrei Bourbon, famous poet, futurist and artistic associate of Malevich and Mayakovsky, her own verse is delivered to the official Communist newspapers, together with an entirely invented revolutionary biography. Before long, she is made poet laureate and feted as an idealized symbol of the Soviet era, while Andrei, after being incarcerated in a mental hospital by Lily, disappears in the purges. After the collapse of several marriages—and the Soviet Union—she leaves Russia for the United States. This is where we meet her, still striking-looking and engaged to a naive American, starting out again at the age of ninety-six. Following further bizarre and picaresque adventures, she reaches for her greatest honour yet—to be "Queen Lily the First" of the newly created island state of Grande Bravo.
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Sophia, Electress of Hanover (1630 1714), grand-daughter of James I and mother of George I, is best remembered as the link between the Houses of Stuart and Hanover. But, above all, she was a gifted and prolific chronicler and her detailed memoirs and letters give us an insider s view of life for the top echelons of society in the 16th century. A true European, Sophia spoke English, French, German, Dutch and Italian fluently, she was open minded and intellectually curious. Her writings cover an astonishing variety of subjects: religion, philosphy, international gossip, household hints, poltics and the details of her family life. J.N. Duggan has translated Sophia's memoir and thousands of letters to paint a remarkable portrait of a woman who deserves to be known by modern-day Europeans.
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An extraordinary evocation of the desert and its people by a woman who dressed as a man in order to travel alone and unimpeded throughout North Africa In 1897 Isabelle Eberhardt, at the age of 20, left an already unconventional life in Geneva for the Morroccan frontier. Gripped by spiritual restlessness and the desire to break free from the confinements of her society she traveled into the desert, and into the heart of Islam. Her experiences inspired a profound self-examination, anda book that today isregarded as one of the true classics of travel writing. In the current political climate, it is also a book uncannily current in its treatment of the culture of Islam in North Africa. One of the most astonishing travel documents of all time, this book is also a feminist classic in its own right.
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The tragic life of Marie-Antoinette, last Queen of France, has assumed almost mythical proportions. A victim of political intrigue, she was known as the 'Austrian whore' and accused of every imaginable sexual and political crime. Yet after the French Revolution she was reinvented as a martyr, and the image of the woman behind the propaganda grew even more distorted. Daughter of the Austrian Empress Maria Theresa, Marie-Antoinette was married at the age of fifteen to the heir to the French throne. The vivacious Archduchess had charm and intelligence, while the Dauphin, crowned Louis XVI in 1774, was boorish, gauche and unable to con- summate their marriage. Rebuffed by him, the young girl engaged in a hectic social life and looked elsewhere for love. This book charts her transformation from reckless teenager to dignified yet misunderstood Queen and maps out in detail her enduring relationship with Axel von Fersen. Their liaison, based on deep affection and mutual passion, began long before revolutionary storm clouds gathered over France. Although known to insiders at court, her love for the chivalrous and handsome Swedish Count was suppressed in the many attempts to manipulate the Queen's image. In this definitive new edition of her acclaimed study Evelyn Farr draws on fresh evidence from archive sources - including decoded secret correspondence - to peel back the layers of misinformation obscuring the Queen's great love affair and to reveal its impact on the destiny of the French Royal Family.
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These fascinating true-life case studies, engagingly written in the style of stories to protect patient anonymity, can be seen as the culmination of the author's many years of experience in the fields of psychoanalysis and psychiatry. They are a distillation of some of the most challenging cases he has dealt with, including ones resulting from the misery of poor parenting and childhood neglect, from bereavement and relationship difficulties and other issues. All illustrate how a troubled adult may find a way through analysis to achieve happiness - or at least peace of mind.
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Dennis Friedman, eminent psychiatrist and author of Inheritance: A Psychological History of the Royal Family, here turns his acute gaze on our present Queen's grandfather, King George V (1885-1936), to reveal the man behind the monarch. Taking as his starting point the widely held belief that the personality and behaviour of parents and grandparents have a powerful influence on the children and grandchildren -and even great-grandchildren - Dr Friedman's insightful biography contains new evidence. It suggests an emotional inheritance partly derived from his father Edward VII's psychologically damaging upbringing at the hands of Queen Victoria that he was to pass on to his own children. In the case of George, a suffocating relationship with his mother, compounded by the absence and neglect of his father, caused him as a child to suffer extreme separation anxiety, which was reinforced by his being sent away to boarding school at the age of eleven, where he was bullied by other victims of similar parenting. His often unhappy time in the Navy and later sexual development is also scrutinised, as are his years on the throne. History depicts George V as a model husband, a near-perfect father and a self-confident monarch. Dr Friedman's study of his personal life reveals a quite different man whose legacy is still evident in today's royals.
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Many of the leading writers of crime fiction are women - Agatha Christie, Ruth Rendell et al - but it still comes as a surprise to many that the first full-length detective novel was by one Metta Fuller whose The Dead Letter, under the alias Seeley Regester, appeared as far back as 1866, predating Wilkie Collins' The Moonstone by two years. In fact. women writers were instrumental in developing the new genre of detective fiction. This anthology selects stories from the late Victorian and Edwardian era including one of the Violet Strange stories by Anna Katharine Green, known as the "mother of the detective novel'; one of the Loveday Brooke stories by Catherine Pirkis, featuring an early private woman detective and a story by the Australian writer Mary Fortune who had written over 500 detective novels by the time Edward VII came to the throne. . . An absorbing collection belonging on the bookshelf of any serious crime fan.
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The heroine of this fascinating story (described only as 'I') is compelled to visit a mysterious uncle, a black magician who lords over a kind of Prospero's island that exists out of time and space. Startled by his bizarre behaviour and odd nocturnal movements, she eventually learns that he is searching for the philosopher's stone. When his sinister attentions fall upon the priceless jewel heirloom in her possession, bewilderment turns to stark terror. She realizes she must find a way off the island . . . Goose of Hermogenes is an esoteric dreamworld fantasy composed of uncorrelated scenes and imagery mostly derived from medieval occult sources. That will repay several readings. Each chapter title in the book has a title relevant to a stage in alchemical progressions. However one wants to approach this obscure tale, it remains today as vividly unforgettable and disturbing as when it was first published by Peter Owen in 1961.
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Over a century after the début of the intrepid hunter explorer Allan Quatermain in King Solomon's Mines (1885), he remains one of the great heroes of literature. The most famous of H. Rider Haggard's dozen novels about him — including Allan Quatermain and Allan and the Ice Gods — have been regularly reprinted for new generations of readers. But there is also a novelette, Allan's Wife, and four short stories of his adventures which have never been collected in one volume. Peter Haining at last brings these stories together, introducing the tales with a detailed résumé of the author's life and career from 1856 to his death in 1925. He also supplies a chronology of the fictional explorer's life linked to the novels and stories, so that new readers can follow his career to his death in 1885.
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Fifty years ago Alfred Hayes was regarded as one of the most interesting and original American novelists, and he deserves to be better known today. In Love is set in the Manhattan bar scene of the forties and reads like a Edward Hopper painting. A middle aged man tells a young woman on an adjacent bar stool the story of his last love affair: a relationship in the thoroughly modern sense, full of misplaced lust and misunderstood emotion. He depicts the boy of his tale as moody and evasive, the girl as even worse. It was a mostly erratic affair, downbeat, dysfunctional and on the brink of sinking without a trace - until an unscrupulous millionaire intervened. The ensuing turmoil will be recognisable to anyone who has fallen into - and then out of - a relationship. In Love is as much an indictment of love as an elegy to it, an examination of heartbreak rather than the heart itself.
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Much is required of a prime minister's wife. As a hostess, sympathetic ear and adviser, she must ensure her husband never puts a foot wrong (and never do so herself). Arguably she has one of the hardest jobs in politics - without ever stepping into the House of Commons. Of the wives from the past two centuries featured in this book, nearly all have given their husbands unqualified support in political matters, two notable exceptions being Emily Palmerston and Clementine Churchill, who were always ready to dissent. And, until Audrey Callaghan and Cherie Blair, none had careers of their own. They came from a variety of backgrounds: some, such as Emily Palmerston, Caroline Lamb, Catherine Gladstone and Dorothy Macmillan, from the ruling classes. Two - Clementine Churchill and Margot Asquith - had aristocratic connections, while Lucy Baldwin's father was a scientist, Mary Ann Disraeli's was a junior naval officer and Margaret Lloyd George's a Welsh hill farmer. In terms of their marriages, some were secure, some wobbly and one actually broke down. In the case of Clementine Churchill, her marriage to Winston of fifty-seven years was a particularly remarkable achievement. Mark Hichens examines these women - and one husband, Denis Thatcher - in the light of their personalities and achievements as well as the roles they have indirectly played in British history in this timely volume.
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Published ahead of Paul Scott's Raj Quartet and long before Midnight's Children, Abdullah Hussein's ambitious saga of social struggle The Weary Generations was a bestseller in Urdu. Published in 1963 and now beyond its 40th edition, it has never been out of print. A vivid depiction of the widespread disillusionment and seismic upheavals of the Partition era that lead to the creation of Pakistan and Bangladesh, there has never been a more opportune time to discover one of the most important writings about the post-colonial trauma in the region. Although it has appeared in translation in several Indian languages as well as Chinese, it wasn't until 1999 that it first appeared in English, when the author's translation was published in hardback in the UK by Peter Owen to major critical acclaim and subsequently by Harper Collins in India. This paperback edition has never been more timely and its significance more apparent. It is an essential text for English language readers seeking to comprehend the historical origins of the tensions in the Indian sub-continent. Beginning with the struggle of the people of India against the British Raj, this story of love and marriage between two people of totally different social backgrounds which crumbles almost as soon as as it takes place mirrors the uneasy 'marriage' between the British and their Indian Empire - both unions ultimately ending in a parting of the ways. Naim, son of a peasant, marries Azra, the daughter of a rich landowner. Fighting for the British during the First World War he loses an arm. Invalided home, he becomes angered at the subjugation of his countrymen under the Raj and aligns himself with the opposition. His ideals are swept away after Independence in 1947 when he realises that, as Muslims, his family is no longer safe in their Indian home and that they must migrate to the newly created Pakistan.
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'A new light in the European galaxy' - Peter Levi, Independent. 'The Same River' is considered poet and essayist Jaan Kaplinski's most significant work of prose to date and is one of the most widely read Estonian novels of recent years. This work of fiction, thirteen years in the making, has many autobiographical undertones. It describes a young man's life, dominated by oriental studies, poetry and love, in Tartu in the 1960's and, for the first time, gives English language readers insight into the formidable talent of this courageous writer who has produced many acclaimed works of fiction, poetry, philosophy and cultural studies in the midst of challenging and dramatically changing political and social times.
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Marooned in a country house in an ugly manufacturing town is an old vicarage of which expensive improvements have been undertaken. The house sits in the middle of the town where traffic buzz is accentuated by occasional rumbling of passing trams. So much that it is separated by high walls and trees and is encroached by the hustle-and-bustle, it is a lonely ark itself-or at least the occupants intend it to be. Steered by the father's morbidly morose, withdrawn and sinister nature, the Deanes immerse in a safe, profound secrecy of those in whom no one is interested. Life is meticulously edited to ensure minimal interruption of routine and to discourage any social intrusion of visitors. Fettered by some mental disability and limitation are the young Deanes who rebel and struggle to leave. Their attempts have always been futile that they fear the long, dull ache to follow when they have no choice but to return home. Amidst the staidness of the house is an unpleasant atmosphere that always seems to arise so easily and suddenly. That they rarely converge together constitutes this perpetual sense of warfare because hostilities are liable to burst out between family members. The family reaches a tacit understanding that Beryl, who sets her heart on leaving the house, is held responsible for this hostility that reigns the house. Resolved to break free from all the constraints, she never hesitates to cut to the core the misery of being deprived of freedom. Her ability to assert individuality in defiance of Mrs Deane's disposition, combined with this imponderable vitality, constantly remind her sister Olive of her being a failure. That her life has been a waster plunges her into an interminable distress of which she blames on Beryl, who in return despises her for being mentally dishonest, salving conscience by trying to talk her mother round a more lenient attitude toward Beryl. The grudge that embitters both of them repulses any overture of reconciliation. A young sculptor from London lets in a glimpse of light to Beryl's escape. What amazes her more than the job at an exotic hat shop is their increased intimacy made possible by premeditated meals and meetings. That he feels more than an obligatory sense of responsibility for her-the conscious longing, the dread of her absence-touches on his nerve, for the inimical nature of the Deanes has imparted in him a resolution to keep clear of them. In unconscious defense he begins to frame argument against being with her, for he feels his independence being invaded. A Charmed Circle is so well-written and penetrating, with a cold snap of a sterile voice that accentuates the hostile mood. The long narrative prose that pierces into the mind reinforces an atmosphere that under a superficial geniality runs a sinister current of tension and repression. It delves on the motives, the unspoken words that which justify the actions. Kavan meticulously metes out words that capture the passing thoughts that are often overlooked but are key to the actions. Despite the overall air of revolt and struggle for self-expression, the novel asserts a sense of hope of overcoming mental capitulation.
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First published sixty years ago, Asylum Piece today ranks as one of the most extraordinary and terrifying evocations of human madness ever written. This collection of stories, mostly interlinked and largely autobiographical, chart the descent of the narrator from the onset of neurosis to final incarceration at a Swiss clinic. The sense of paranoia, of persecution by a foe or force that is never given a name evokes The Trial by Franz Kafka, the writer with whom Kavan is most often compared, though Kavan's deeply personal, restrained and almost foreignaccented style has no true model. The same characters who recur throughout — the protagonist's unhelpful 'advisor', the friend/lover who abandons her at the clinic, and an assortment of deluded companions — are sketched without a trace of the rage, selfpity or sentiment that have marked more recent prozac memoirs.
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First published in 1945, the stories collected under the title I Am Lazarus are a brilliant summation of the war experiences of Anna Kavan in Blitz-era London, working among invalided soldiers at a 'military neurosis centre' in Mill Hill. Kavan's view of the capital and some of its war victims in this momentous era are typically original and oblique: 'Lazarus' is a patient revived from catatonia who somehow remains institutionalized; the Blitz spirit is coolly stripped of cheeriness and never-say-die in 'Glorious Boys and 'Our City'; there is a Hithcockian horror story in 'The Gannets', while in 'Who Has Desired The Sea' and 'The Blackout' the 'shell-shocked' have ultimately only seen war exacerbate old, long-suppressed psychological wounds. Chilling but compassionate classics, the I Am Lazarus collection, republished now after many years, are essential documents of the time - and of Anna Kavan.
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The mother of 'Anna' in this novel dies in childbirth and she brought up by her father and a governess, in a remote Pyrenean village. When she is thirteen, her father shoots himself and she Is adopted by a rich, beautiful and ruthless aunt who stows her in a boarding school. She forms friendships at the school but her freedom is abruptly curtailed when the aunt forces her into a loveless marriage: she comes to detest her husband and bourgeois family but cannot break away and finds herself marooned with him in Burma, where the story climaxes.
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